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Питер Гринуэй (Peter Greenaway) - 5 April 1942, Newport,
Gwent, Wales, UK.
ФИЛЬМОГРАФИЯ (жирным выделены фильмы, имеющиеся у нас):
2003 ЧЕМОДАНЫ ТУЛСА ЛЮПЕРА /THE TULSE LUPER SUITCASES/ -
режиссер, сценарист
1999 ВОСЕМЬ С ПОЛОВИНОЙ ЖЕНЩИН /8 1.2 WOMAN/ - режиссер, сценарист,
актер (не указан)
1996 ИНТИМНЫЙ ДНЕВНИК (КНИГА ПОДУШКИ) /PILLOW BOOK, THE/ - режиссер,
сценарист, монтаж
1995 ЛЮМЬЕР И КОМПАНИЯ /LUMIERE ET COMPAGNIE (LUMIER AND COMPANY)/
- режиссер сегмента "Peter Greenaway"
1993 ДИТЯ МАКОНА /BABY OF MACON, THE/ - режиссер, сценарист
1991 НЕ МОЦАРТ (М ЭТО МУЖЧИНА, МУЗЫКА, МОЦАРТ) /Not Mozart
- M Is for Man, Music, Mozart/ - режиссер, сценарист
1991 КНИГИ ПРОСПЕРО /PROSPERO'S BOOKS/ - режиссер, сценарист
1989 АД ДАНТЕ /A TV DANTE: THE INFERNO - CANTOS I-VIII/ - режиссер
1989 ПОВАР, ВОР, ЕГО ЖЕНА И ЕЕ ЛЮБОВНИК /THE COOK, THE THIEF,
HIS WIFE AND HER LOVER/ - режиссер, сценарист
1988 СМЕРТЬ В СЕНЕ (СМЕРТЬ В РЕКЕ СЕНА) /DEATH IN THE SEINE/ -
режиссер, сценарист
1988 ОТСЧЕТ УТОПЛЕННИКОВ /DROWNING BY NUMBERS/ - режиссер, сценарист,
победитель в Каннах-88
1987 ЖИВОТ АРХИТЕКТОРА (УТРОБА АРХИТЕКТОРА) /BELLY OF AN ARCHITECT,
THE/ - режиссер, сценарист
1985 ДВАДЦАТЬ ШЕСТЬ ВАННЫХ КОМНАТ /26 BATHROOMS/ - режиссер
1985 ЗЕТ И ДВА НУЛЯ /ZED AND TWO NOUGHTS, A (ZOO)/ - режиссер,
сценарист
1983 ЧЕТЫРЕ АМЕРИКАНСКИХ КОМПОЗИТОРА /4 AMERICAN COMPOSERS/ -
режиссер, сценарист
1982 КОНТРАКТ РИСОВАЛЬЩИКА /DRAUGHTSMAN'S CONTRACT, THE/ - режиссер,
сценарист, рисунки ("мистера Невила")
1980 ПАДЕНИЯ /FALLS/ - режиссер, сценарист, монтаж
1978 ПРОГУЛКА ЧЕРЕЗ Х /A Walk Through H: The Reincarnation
of an Ornithologist/ - режиссер, сценарист, монтаж
1977 ДОРОГОЙ ТЕЛЕФОН /DEAR PHONE/ - режиссер, сценарист, кинооператор,
монтаж, диктор
1975 ОКНА /WINDOWS/ - режиссер, сценарист, кинооператор, монтаж,
диктор
1973 Х - ЭТО ДОМ /H IS FOR HOUSE/ - режиссер, сценарист, кинооператор,
монтаж, голос
1969 ИНТЕРВАЛЫ /INTERVALS/ - режиссер, сценарист
 Питер
Гринэуэй /Peter Greenaway/
Дата рождения: 05.04.1942
Место рождения: Newport, Gwent, Wales, Великобритания
Один из самых противоречивых режиссеров и сценаристов, Гринэуэй
расколол сообщество критиков, зрителей привел кого в замешательство,
кого в восторг, а большинство возмутил предельно откровенным визуальным
рядом и часто дичайшими социальными комментариями, которыми сейчас
уже, правда, никого не удивишь. Он работал монтажером фильмов
в 1960-х и 1970-х годах в Британском Центральном Офисе Информации
и тогда же использовал оборудование центра для создания своих
собственных короткометражных фильмов. К 1978 году его короткие,
повествовательные фильмы и документальные ленты привлекли международное
внимание и собрали множество призов. Первый художественный полнометражный
фильм "Контракт рисовальщика" стал признанным критиками
дебютом, а затем последовали "Зед и два нуля", 1985,
"Живот архитектора", 1987, и "Отсчет утопленников",
1988. Его следующий фильм "Повар, вор, его жена и ее любовник",
1989, сделанный в жанре ну очень черной комедии, был чрезвычайно
противоречивым для своего времени. Хотя на него немедленно наложили
ограничения (X), в США он пользовался самым большим успехом. "Книги
Просперо", 1991, визуально поразительная адаптация пьесы
Шекспира, поставленная с использованием последних компьютерных
технологий и телевидения высокого разрешения, свидетельствовали
о дальнейшей решимости режиссера раздвигать границы кино. Для
того, чтобы забить свой гвоздь в сознание зрителя, Гринэуэй часто
использует насилие, секс, а также достаточно неприятные, шокирующие
кадры разного характера, свидетельствующие о его богатом воображении.
Peter Greenaway. IMDb (20.nov.04)
Date of birth (location): 5 April 1942, Newport, Gwent,
Wales, UK
Mini biography:
Peter Greenaway trained as a painter and began working as a film
editor for the Central Office of Information in 1965. Shortly
afterwards he started to make his own films. He has produced a
wealth of short and feature-length films, but also paintings,
novels and other books. He has held several one-man shows and
curated exhibitions at museums world-wide.
Biography from Leonard Maltin's Movie Encyclopedia:
Among the most controversial filmmakers in recent memory, Greenaway
has divided critics and repulsed, confused, and thrilled audiences
with his movies' bold visuals and often savage social commentary.
He edited films in the 1960s and 1970s for Britain's Central Office
of Information and, during that time, used the Office's facilities
to produce his own experimental shorts. By 1978 his short narrative
films and documentaries had attracted international attention
and won many prizes. Greenaway's first feature, The Draughtsman's
Contract (1983), was a critically acclaimed debut, and he followed
it with A Zed and Two Noughts (1985), The Belly of an Architect
(1987), and Drowning by Numbers (1988). His next film, The Cook,
the Thief, His Wife & Her Lover (1989), a viscerally overwhelming
black comedy, was extremely controversial; though initially stamped
with an X rating, it was Greenaway's biggest success in the U.S.Prospero's
Books (1991), a visually fascinating adaptation of Shakespeare's
play using the latest computer technology and high-definition
TV, illustrated Greenaway's continued determination to expand
the boundaries of the film medium. He flouts contemporary manners
and mores in his films, often deliberately shocking his audiences
(with graphic, uninhibited displays of violence and sexuality,
among other things) to make a point.
Trade mark
- His films often feature strong, manipulative female characters
- The number 92 is prominent in his films: 92 "Falls"
in The Falls. 92 languages in The Falls. 92 suitcases belonging
to Tulse Luper, a character in The Falls. Cissy Colpits: Not only
are all three females leads in Drowning By Numbers named Cissy
Colpits, one of the Falls has the name as well.
Trivia
- When he saw Ingmar Bergman's Sjunde inseglet, Det (1957) at
age 16 he decided he wanted to be a film maker.
- When actors on the set of _Baby of Macon, The (1993)_ pointed
out that he was introducing continuity errors, Peter replied that
'Continuity is boring.'
- In 1999, Greenaway divorced his wife, sold the family home in
Wales, and resettled permanently in the Netherlands.
- His movies contain very long tracking shots usually in one long
take.
Personal quotes
- "Cinema doesn't connect with the body as artists have in
two thousand years of painting, using the nude as the central
figure which the ideas seem to circulate around. I think it is
important to somehow push or stretch or emphasize, in as many
ways as I can, the sheer bulk, shape, heaviness, the juices, the
actual structure of the body. Cinema basically examines a personality
first and the body afterward."
- "Many quite popular films are filled with violence. I think
the difference between those and my films is that I show the cause
and effect of violent activity. It's not a Donald Duck situation
where he get a brick in the back of the head and gets up and walks
away in the next frame. Mine have violence which keeps Donald
Duck in the hospital for six months and creates a trauma which
he will remember for the rest of his life."
- "I don't think we've seen any cinema yet. I think we've
seen 100 years of illustrated text."
- "If you want to tell stories, be a writer, not a filmmaker."
- [On working with Michael Nyman]: "I'm pretty certain Michael
and I will never ever work together again."
- Creation, to me, is to try to orchestrate the universe to understand
what surrounds us. Even if, to accomplish that, we use all sorts
of stratagems which in the end prove completely incapable of staving
off chaos.
- "As for critics, one mediocre writer is more valuable than
ten good critics. They are like haughty, barren spinsters lodged
in a maternity ward."
- "Continuity is boring."
- "Here was opportunity to make an audience walk and move,
be sociable in a way never dreamed of by the rigors of cinema-watching,
in circumstances where many different perspectives could be brought
to bear on a series of phenomena associated with the topics under
consideration. Yet all the time it was a subjective creation under
the auspices of light and sound, dealing with a large slice of
cinema's vocabulary."
- "I think that every artist dreams of renewing the forms
which came before, but I think very few can be considered to have
achieved that. We are all dwarves standing upon the shoulders
of the giants who preceded us, and I think we must never forget
that. After all, even iconoclasts only exist with respect to that
which they destroy."
- "Maybe the next question you ought to ask is: `Under these
circumstances: why do I go on making films?' Well, I still would
like you to feel the enthusiasm that all those people felt in
the twenties and thirties, that indeed we had discovered, with
cinema, the great 20th-century, all-embracing medium. There were
extraordinary apologists for what it could become, but I feel
it hasn't become that. Cinema has been dragged down by mimetic
association with all the other art forms, predominantly with the
19th century novel, and because of its distribution situation
and its apparent desire to appeal to the lowest common denominator,
it has gone in directions which have not fulfilled those extraordinary
promises, in general terms. But I still have this sneaking, hopeful
suspicion that we can return to those optimistic, ambitious days
and make something of what could be a most extraordinary medium."
- "My favourite film-maker west of the English Channel is
not English - but to me doesn't seem American either - David Lynch
- a curious American-European film-maker. He has - against odds
- achieved what we want to achieve here. He takes great risks
with a strong personal voice and adequate funds and space to exercise
it. I thought Blue Velvet and Eraserhead were masterpieces."
- "There are basically only two subject matters in all Western
culture: sex and death. We do have some ability to manipulate
sex nowadays. We have no ability, and never will have, to manipulate
death."
- "To be an atheist you have to have ten thousand times more
imagination than if you are a religious fundamentalist. You must
take the responsibility to acquire information, digest and use
it to understand what you can."
- "Works of art are never finished, just stopped."
- "But thinking of cinema being a dinosaur, you know what
they say about dinosaurs: the brain dies but it takes maybe several
weeks before that message gets to the tail. So if we're lucky,
maybe, the notion of conventional celluloid cinema has perhaps
one or two generations to run. But then I'm sure, quite happily,
we'll see the end of it. I would cry no tears for it because I'm
quite convinced, and there's no reason not to think this, that
all the new languages will certainly be soon giving us, I won't
say cinema because I think we have to find a new name for it,
but cinematic experiences, which is going to make Star Wars look
like an early sixteenth century lantern-slide lecture."
FILMOGRAPHY
Director
2004 Visions of Europe (segment "European Showerbath")
2004 Tulse Luper Suitcases, Part 2: Vaux to the Sea, The
2003 Tulse Luper Suitcases, Episode 3: Antwerp, The
2003 Tulse Luper Suitcases, Part 1: The Moab Story, The
... aka Maletas de Tulse Luper: La historia de Moab, Las (2003)
(Spain)
... aka Valigie di Tulse Luper - La storia di Moab, Le (2003)
(Italy)
2003 Cinema16 (V)
2001 Man in the Bath, The
1999 Death of a Composer: Rosa, a Horse Drama, The
... aka Death of a Composer (1999) (USA: short title)
1999 8 1/2 Women
... aka Eight and a Half Women (2000) (USA)
1997 Bridge, The
1996 Pillow Book, The
1995 Lumiere et compagnie
... aka Lumiere and Company (1995) (International: English title)
... aka Lumiere y compania (1996) (Spain)
1995 Stairs 1 Geneva
1993 Darwin (TV)
1993 Baby of Macon, The
... aka Wunder von Macon, Das (1993) (Germany)
1992 Rosa
1991 Walk Through Prospero's Library, A (TV)
1991 M Is for Man, Music, Mozart (TV)
... aka Not Mozart (1991) (TV) (Europe: English title)
1991 Prospero's Books
... aka Ultima tempesta, L' (1991) (Italy)
1989 Hubert Bals Handshake
1989 "TV Dante, A" (mini) TV Series (Cantos I-VIII)
... aka "Dante: The Inferno" (1989) (mini) (UK: video
title)
... aka "TV Dante: The Inferno - Cantos I-VIII, A" (1989)
(mini) (UK: video box title)
1989 Cook the Thief His Wife & Her Lover, The
... aka Cook, the Thief, His Wife & Her Lover, The (1989)
... aka Cuisinier, le voleur, sa femme et son amant, Le (1989)
(France)
... aka Spica (1989)
1988 Death in the Seine (TV)
... aka Morts de la Seine, Les (1988) (TV) (France)
1988 Fear of Drowning
1988 Drowning by Numbers
1987 Belly of an Architect, The
... aka Ventre dell'architetto, Il (1987) (Italy)
1985 Inside Rooms: 26 Bathrooms, London & Oxfordshire, 1985
... aka 26 Bathrooms (1985) (UK: short title)
1985 Zed & Two Noughts, A
... aka Zoo: A Zed & Two Noughts, A (1985)
1984 Making a Splash
1983 Coastline, The
... aka Sea in Their Blood, The (1983)
1983 Four American Composers
1982 Draughtsman's Contract, The
1981 Terence Conran
... aka Insight: Terence Conran (1981) (UK)
1980 Act of God (TV)
1980 Country Diary
1980 Falls, The
1980 Lacock Village
1979 Leeds Castle
1979 Women Artists
1979 Zandra Rhodes
1978 1-100
1978 Cut Above the Rest
1978 Eddie Kid
1978 Walk Through H: The Reincarnation of an Ornithologist, A
1977 Dear Phone
1976 Goole by Numbers
1976 Vertical Features Remake
1975 Water
1975 Water Wrackets
1975 Windows
1973 H Is for House
1971 Erosion
1969 Intervals
1967 5 Postcards From Capital Cities
1967 Revolution
1966 Train
1966 Tree
1962 Death of Sentiment
Writer
2004 Visions of Europe (segment "European Showerbath")
2004 Tulse Luper Suitcases, Part 2: Vaux to the Sea, The
2003 Tulse Luper Suitcases, Episode 3: Antwerp, The
2003 Tulse Luper Suitcases, Part 1: The Moab Story, The
... aka Maletas de Tulse Luper: La historia de Moab, Las (2003)
(Spain)
... aka Valigie di Tulse Luper - La storia di Moab, Le (2003)
(Italy)
1999 Death of a Composer: Rosa, a Horse Drama, The (libretto for
opera Rosa) (screenplay)
... aka Death of a Composer (1999) (USA: short title)
1999 8 1/2 Women
... aka Eight and a Half Women (2000) (USA)
1997 Peter Greenaway in Indianapolis (V)
... aka Evening with Peter Greenaway, An (1997) (V)
1996 Pillow Book, The
1993 Darwin (TV)
1993 Baby of Macon, The
... aka Wunder von Macon, Das (1993) (Germany)
1991 M Is for Man, Music, Mozart (TV)
... aka Not Mozart (1991) (TV) (Europe: English title)
1991 Prospero's Books
... aka Ultima tempesta, L' (1991) (Italy)
1989 Hubert Bals Handshake
1989 Cook the Thief His Wife & Her Lover, The
... aka Cook, the Thief, His Wife & Her Lover, The (1989)
... aka Cuisinier, le voleur, sa femme et son amant, Le (1989)
(France)
... aka Spica (1989)
1988 Death in the Seine (TV)
... aka Morts de la Seine, Les (1988) (TV) (France)
1988 Fear of Drowning
1988 Drowning by Numbers
1987 Belly of an Architect, The
... aka Ventre dell'architetto, Il (1987) (Italy)
1985 Zed & Two Noughts, A
... aka Zoo: A Zed & Two Noughts, A (1985)
1983 Four American Composers
1982 Draughtsman's Contract, The
1980 Falls, The
1979 Zandra Rhodes
1978 1-100
1978 Walk Through H: The Reincarnation of an Ornithologist, A
1977 Dear Phone
1976 Goole by Numbers
1976 Vertical Features Remake
1975 Water
1975 Water Wrackets
1975 Windows
1973 H Is for House
1971 Erosion
1969 Intervals
1967 5 Postcards From Capital Cities
1967 Revolution
1966 Train
1966 Tree
1962 Death of Sentiment
Actor
1999 Death of a Composer: Rosa, a Horse Drama, The .... Narrator
... aka Death of a Composer (1999) (USA: short title)
1999 8 1/2 Women (uncredited)
... aka Eight and a Half Women (2000) (USA)
1996 Cosmologia di Piazza del Popolo, La .... Narrator
1989 Hubert Bals Handshake .... Narrator
1988 Fear of Drowning .... Narrator
1980 Falls, The
1977 Dear Phone .... Narrator
1975 Windows (voice) .... Narrator
1973 H Is for House .... Voice
Editor
1996 Pillow Book, The
1980 Falls, The
1978 Walk Through H: The Reincarnation of an Ornithologist, A
1977 Dear Phone
1976 Vertical Features Remake
1975 Water Wrackets
1975 Windows
1973 H Is for House
1968 Love Love Love
Cinematographer
1977 Dear Phone
1976 Vertical Features Remake
1975 Water Wrackets
1975 Windows
1973 H Is for House
Miscellaneous Crew
1999 Death of a Composer: Rosa, a Horse Drama, The (stage director)
... aka Death of a Composer (1999) (USA: short title)
1982 Draughtsman's Contract, The (hand double: Anthony Higgins)
(uncredited)
Art Department
1991 Prospero's Books (sculptor: Prospero's books) (uncredited)
... aka Ultima tempesta, L' (1991) (Italy)
1982 Draughtsman's Contract, The (drawings: Mr. Neville) (uncredited)
Himself
1997 Peter Greenaway in Indianapolis (V) .... Peter Greenaway
... aka Evening with Peter Greenaway, An (1997) (V)
1995 Stairs 1 Geneva .... Narrator
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